The TV Trials, June 24, by James Dunaway, note by Larry Eder

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Justin Gatlin, Tyson Gay, 2012 US Olympic Trials, photo by PhotoRun.net

James Dunaway is our media critic for the 2012 US Olympic Track & Field Trials. A man who has been writing about the each Trials since 1964, this is his first miss. So, we asked James to rate the TV one a scale of one to five stars, plus also add how he would improve the viewing.

At the end of the day, bad TV is not good for anyone, if you have comments on our coverage, email me at [email protected].

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Marquise Goodwin won the Long Jump back on his last jump!
photo by PhotoRun.net

The TV Trials      Sunday, June 24, 2012       ***

 

 

On this first Sunday of the Trials, the program was short, with only six sprint races (three of them finals) and four field events, all finals.

 

The telecast began with a brief review of the tizzy created by the dead heat for third place in Saturday's women's 100-meter final between Allyson Felix and Jeneba Tarmoh, who coincidentally are training partners and presumably friends. Tom Hammond surprised me by saying that "the photo-finish has left a trip to London in the balance" for one of the two, since whichever one finally ends up fourth will almost certainly be selected as a member of the 4x100 relay pool -- how could USATF or USOC leave her off?

 

Ato Boldon had the proper answer to the problem - a run-off, not only the fairest way, but also the traditional way all ties which cannot be allowed to stand in have been decided since track and field became an organized sport in the 1860s.

 

The biggest chunk of the one-hour telecast was devoted - quite properly - to the semifinals and final of the men's 100 meters. As was done yesterday, the time and attention before each race was focused on only seven of the 21 semifinalists. I will concede that all seven made the final - which is very good predicting on the part of Ato and Company, but, I submit, not good reporting. There was plenty of time to introduce each starter and tell the viewer about him, and then zero in on the "ones to watch." NBC can do both, and should. We're here to watch the race - all seven or eight lanes.

 

The 100 final coverage was just about perfect. We all knew about Walter Dix, and we all knew that the race was likely to be Gatlin vs. Gay, so one must admit that the system worked.  It would have been nice if there could have been a bit more information about Ryan Bailey after the race.

 

Both 400-meter finals were well-covered. The race calls were excellent and accurate (calling 400 races is very difficult to do well).  Again the introductions were focused on the  favorites, and the picks were very good. By the way, in one pre-race shot, Sanya Richards-Ross was shown pulling on her striped "arm socks." How come nobody asked her about those "socks?"

 

The four field events finals didn't get much attention at all. We saw four or five women's vaults, three men's shot puts, only one or two men's long jumps, and three women's discus throws. Lots of good stories there if TV could follow the competition for us - like high schooler Shelbi Vaughn, who took fourth in the women's discus with her second national high school record of the meet., or the back-and-forth battle between Marquise Goodwin and Will Claye in the long jump.

 

I know it's virtually impossible to cover field events in a tightly controlled time frame, but by the end of three rounds in the men's long jump, it was obvious that Goodwin and Claye were having an exciting competition, and it would have been nice if the producers could have cut away just for those six jumps? Dwight would've had no trouble in conveying the excitement, setting the scene and calling the jumps, and then a throw back to Tom and Ato upstairs. That could have been super; these two kids are tigers!

 

There's an immense amount of drama in the field events - and NBC and Stones captured a moment of it in Jenn Suhr's two jumps. If NBC would look for opportunities for cutaways - both high jumps, both triple jumps, for example - I believe they could add a lot of excitement. And isn't that what it's all about? I'm not saying it's easy, but you won't find those opportunities unless you're looking for them.

 

Speaking of cutaways, there were two more feature segments, one called "Behind the Wall," about what goes on behind the scenes as the athletes get ready to compete or recover after competing -- massage tables, et cetera  --  the other "Processing" which showed athletes who have made the team signing forms, being issued various goodies, and being lectured about their behavior on the Great Olympic Stage. I don't think they added a bit of interest to the production.

 

In fact, IMNHO, the time would be better spent showing more field events. Much better.

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