Elite High Jumpers Take Center Stage at Doha’s ‘What Gravity Challenge’

Elite High Jumpers Take Center Stage at Doha’s ‘What Gravity Challenge’

The second edition of the ‘What Gravity Challenge’ takes place today at the open-air Katara Amphitheatre, where some of the world’s best high jumpers will rise, fall, and rise again.

The man behind it all is Mutaz Barshim, who is a national hero in Qatar and a three-time world champion and Olympic gold medalist. The 32-year-old has seen it all on the biggest stages, but at home, he’s building something personal. Something lasting. “This event started to honour and empower athletes,” Barshim told reporters on the eve of the event. “It’s about creating a movement, challenging limits, celebrating talents, and doing it in the heart of Qatar and beyond.”

What began as a high jump showcase in 2023 has quickly grown into a bold experiment in how the sport can be presented. Gone are the qualifying rounds, long breaks, and half-empty stadiums. This is a single-discipline, single-session event under the lights, with music, production, and an audience that comes just to see athletes fly.

This year, Barshim is once again on the start list, but he’s not alone. The men’s field includes Olympic silver medalist Shelby McEwen of the U.S. and New Zealand’s Hamish Kerr, who claimed bronze at the Tokyo Olympics. All eyes, however, may shift to a new and very welcome addition of the women.

For the first time, the What Gravity Challenge will feature a women’s competition, and the organizers didn’t hold back. Ukraine’s Yaroslava Mahuchikh, the recently crowned Olympic champion in Paris and holder of the women’s world record, headlines the field. She’ll be joined by Australia’s Eleanor Patterson and Germany’s Christina Honsel, both of whom are ranked among the world’s best.

Mahuchikh spoke with confidence ahead of her season opener in Doha. “I’m in a strong physical and mental state, and I’m excited to begin my season here,” she said. “This competition offers a unique atmosphere and a platform to push the limits of what we can achieve.”

This blend of artistry and athleticism is not just for show. The event carries a $155,000 prize purse, with the winner receiving a custom-designed trophy by Qatari sculptor Ahmed Al-Bahrani. His work, rooted in both modern art and local tradition, adds another layer of identity to the competition, connecting sport to culture in a way that feels earned rather than forced.

The format is designed for intensity. A condensed field, a compact venue, and an energized crowd mean athletes must be sharp from the first jump. That urgency is what Barshim believes will keep people returning, not just fans.

The Katara Amphitheatre, typically reserved for concerts and cultural events, provides a cinematic setting. The venue’s Roman-inspired steps and seaside backdrop offer something television can’t always capture: intimacy. Fans sit just meters from the jumpers, close enough to hear their exhale before a run-up.

As global track and field searches for ways to connect with younger audiences, the What Gravity Challenge is a bold swing. And while it may not carry the weight of a major championship, it has something most meets lack, clarity of purpose. It’s short, sharp, and built around the kind of moments that go viral.

The hope, of course, is that it inspires not just fans but the next generation of athletes. “When I was a kid, I never imagined doing something like this,” Barshim said. “Now we have the chance to show the future of our sport right here in Doha.”